The Square (Khi Nghệ Thuật Sai) là bộ phim hài châm biếm được Thụy Điển sản xuất năm 2017 do Ruben Östlund làm đạo diễn với sự tham gia diễn xuất của nữ diễn viên Mỹ Elisabeth Moss (ngôi sao phim Mad Men), nam tài tử Anh Dominic West và nam diễn viên Đan Mạch Claes Bang. The Square lấy bối cảnh khi chế độ quân chủ lập hiến tại Thụy Điển không còn nữa, và Cung điện Stockholm biến thành một bảo tàng nghệ thuật đương đại. Christian (Claes Bang), quản lý bảo tàng chuẩn bị cho buổi triển lãm sắp đặt có tên The Square, ý tưởng lôi kéo người xem quan tâm tới lòng vị tha và tinh thần trách nhiệm với thông điệp: "mọi người đều có quyền và trách nhiệm ngang nhau". Tuy nhiên, ở đời không phải cái gì muốn cũng làm được. Christian vướng phải một scandal "vạ miệng", cùng lúc đó lại thuê một công ty PR đầy thủ đoạn để làm chiến dịch quảng bá cho tác phẩm đạo đức này. Mọi thứ rơi vào khủng hoảng...

After the Cuban Revolution, Che is at the height of his fame and power. Then he disappears, re-emerging incognito in Bolivia, where he organizes a small group of Cuban comrades and Bolivian recruits to start the great Latin American Revolution. Through this story, we come to understand how Che remains a symbol of idealism and heroism that lives in the hearts of people around the world.

Impressions of the rue Mouffetard, Paris 5, through the eyes of a pregnant woman.

Several little boys run along a pier, then jump into the ocean.

An elderly heiress is killed by her husband who wants control of her fortunes. What ensues is an all-out murder spree as relatives and friends attempt to reduce the inheritance playing field, complicated by some teenagers who decide to camp out in a dilapidated building on the estate.

A hapless talent manager named Danny Rose, by helping a client, gets dragged into a love triangle involving the mob. His story is told in flashback, an anecdote shared amongst a group of comedians over lunch at New York's Carnegie Deli. Rose's one-man talent agency represents countless incompetent entertainers, including a one-legged tap dancer, and one slightly talented one: washed-up lounge singer Lou Canova, whose career is on the rebound.

Peter and Katarina are at a marital crossroads, but, when he brutally kills a burlesque dancer, their domestic squabbles are rendered trivial by comparison. In the wake of the crime, the film backtracks, painting a portrait of the fraught union between Peter and Katarina. When does a marriage go bad? What causes a member of the German bourgeoisie to murder an innocent woman?

The life of Henri Grouès, known as Abbé Pierre, from his time in the Resistance in WWII to his fights against poverty and for the homeless.

This biblical drama from the Catholic Marxist director focuses on the teachings of Jesus, including the parables that reflect their revolutionary nature. As Jesus travels along the coast of the Sea of Galilee, he gradually gathers more followers, leading him into direct conflict with the authorities.

In his first English-language special, comedian Gad Elmaleh gleefully digs into America's food obsessions, dating culture, slang, and more.

Paolo is a sceptical 30-year-old who works unwillingly as a sales clerk in a Turin department store. Mia is a back-up singer in a band and lives her life haphazardly, which leads her to being practically homeless. One night, they bump into each other by chance, in a gay club in Turin. It will be the beginning of an emotional adventure and a journey across the country looking for the father of Mia’s baby.

A French family moves to a new neighborhood with during the summer holidays. The story follows a 10-year-old gender non-conforming child, Laure, who experiments with their gender presentation, adopting the name Mikäel.

Set in a surface mine, two boys sink into a seemingly innocent power game with Mother Nature as the sole observer.

Improbable encounters bring tenderness, laughter and compassion to a world of urban alienation.

Arranged to marry a rich man, young Ada is crushed when her true love goes missing at sea during a migration attempt — until a miracle reunites them.

Following a newspaper ad, ordinary women tell part of their life stories to director Eduardo Coutinho, which are then re-enacted by actresses, blurring the barriers between truth, fiction and interpretation.

Handed over to foster care by his mother—who's unwilling to give up permanent custody—the now-adolescent François understands that nothing in life is permanent, and his increasingly erratic actions reflect this knowledge.

Ostend, Belgium. In a decadent seaside hotel, Stefan and Valerie, a newlywed couple, meet the mysterious Countess Báthory and Ilona, her secretary.

Two young women, Margaret and Lisa, are set to take the overnight train from Munich in Germany to stay with Lisa's parents in Italy for Christmas. Unfortunately a pair of psychotic hoodlums and an equally demented nymphomaniac woman terrorize the pair.

A woman returning home falls asleep and has vivid dreams that may or may not be happening in reality. Through repetitive images and complete mismatching of the objective view of time and space, her dark inner desires play out on-screen.