With his first Dogma-95 film director Lars von Trier opens up a completely new film platform. With a mix of home-video and documentary styles the film tells the story of a group of young people who have decided to get to know their “inner-idiots” and thus not only facing and breaking their outer appearance but also their inner.

Set in the neurosurgical ward of Copenhagen's Rigshospitalet, the city and country's main hospital, nicknamed "Riget", a number of characters, staff and patients alike, encounter bizarre phenomena, both human and supernatural. This film is assembled from firsr season episodes of the Danish TV miniseries The Kingdom I. It does not include episodes from seasons 2 or 3.

An IT company hires an actor to serve as the company's president in order to help the business get sold to a cranky Icelander.

Fisher, an ex-detective, decides to take one final case when a mysterious serial killer claims the lives of several young girls. Fisher, unable to find the culprit, turns to Osbourne, a writer who was once respected for his contributions to the field of criminology. Fisher begins to use Osbourne's technique, which involves empathizing with serial killers; however, as the detective becomes increasingly engrossed in this method, things take a disturbing turn.

Selma, a Czech immigrant on the verge of blindness, struggles to make ends meet for herself and her son, who has inherited the same genetic disorder and will suffer the same fate without an expensive operation. When life gets too difficult, Selma learns to cope through her love of musicals, escaping life's troubles - even if just for a moment - by dreaming up little numbers to the rhythmic beats of her surroundings.

A young, idealist American gets a job as a train conductor for the Zentropa railway network in postwar, US-occupied Frankfurt. As various people try to take advantage of him, he soon finds his position politically sensitive, and gets caught up in a whirlpool of conspiracies and Nazi sympathisers.

Márta, a 40-year-old neurosurgeon, falls in love. She leaves her shining American career behind and returns to Budapest to start a new life with the man she loves. But she waits for him at the Liberty Bridge in vain - he does not appear at their rendezvous. Márta starts to search for him desperately, but when she finally finds him, the love of her life claims that they have never met before.

A social misfit, Willard is made fun of by his co-workers, and squeezed out of the company started by his deceased father by his boss. His only friends are a couple of rats he raised at home, Ben and Socrates. However, when one of them is killed at work, he goes on a rampage using his rats to attack those who have been tormenting him.

When a successful television writer's daughter becomes the interest of an aging filmmaker with an appalling past, he becomes worried about how to handle the situation.

Daniel lives with his grandmother and, after a year of high school, goes to live with his mother in the south of France; a harsher environment which rapidly changes his perception of friends, work, and women.

Nicoline, a criminal psychologist, begins work at a prison where one of her new cases, Idris — an apparently reformed sex offender — is preparing for release after five years of confinement. Despite her professional misgivings, she becomes infatuated with her charismatic, manipulative patient.

The war against terrorism has gone private. War has always been a profitable business, so having private corporations field their own armies to fight against terrorism is just good business. Who else could protect those innocent bunnies from the religiously fervent turbaned camel fanatics. It falls upon a small cadre of seasoned furry rabbit soldiers to take the battle to the camel's home turf.Derived from a popular Vietnam-conflict based manga series called Apocalypse Meow , this sequel series uses animal characters to tell the story of the war against terrorism fought in distant countries. Non-human cast of characters notwithstanding, this compelling and painstakingly-researched work places an emphasis on factualism in order to accurately portray the weapons and tactics used by soldiers.

In 1969, with Sven Nykvist as cinematographer, Ingmar Berman made The Fårö Document, a film that ended with a rather pessimist view of the island’s future. One of the scenes in the film is of a school-bus and its young passengers. To these and to the realities ten years later Bergman returns in the long documentary Fårö Document 1979.

Haunted by the past, Vijay turns to crime, while Ravi, his brother, becomes an honest police officer. Fate pits them against each other when Ravi is sent to nab Vijay.

Lukas, a young schizophrenic man, has to deal with a new town, a new relationship, and the paranoia in his head.

An old man who isolated himself from civilization receives an unexpected visitor.

An audition for men aged between 16 and 99. There are no props nor make-up, just pure improvisation. All that is required is the willingness to engage openly with the topic and language of the words on the page. No small challenge, since the text in question is the scandalous novel published anonymously in 1906 “Josefine Mutzenbacher, or the Life Story of a Viennese Whore, as Told by Herself” which, as this film confirms, continues to be the subject of passionate and controversial discussions about desire, even today. What might be world-class pornographic literature for some is seen by others as an abusive depiction of child sexuality.

Two teenagers are very keen on making love with a girl. The girl cares about money. The boys dont have any. Dissapointed they turn to the streets and wind-up in the middle of an armed robbery. The teenage boys wait for the robbers and steals their loot. Happy they rush back to the girl. Without knowing what the bags of the loot contain.

Sven arrives in nowadays Auschwitz to do his civil service at the memorial. He encounters unfriendliness, especially by Stanislaw Krzeminski, the 85 year old KZ-survivor, and Krzysztof Lanuszewski, brother of his early love affair Ania. Even his boss Herold, the places manager, does little to help Sven familiarize. But when problems accumulate Sven realises that he already has become involved.

Jessica Fletcher, lecturing at a writers' conference, finds herself called on to solve the killing of a guest speaker, an arrogant Russian author who'd written a nonfiction, tell-all book about his tenure as head of the KGB.