A recap of Kimetsu no Yaiba episodes 11–14, with new footage and special end credits. Tanjiro ventures to the south-southeast where he encounters a cowardly young man named Zenitsu Agatsuma. He is a fellow survivor from Final Selection and his sparrow asks Tanjiro to help keep him in line.

A man lurks the night alleys, killing people at random, he feels nothing, no emotion, and no pain; when he meets a graceful widow he must confront what it means to be human.

Exploring the relationship between man and technology, this day-in-the-life story concentrates on a computer programmer, inundated by technology, living a secluded lifestyle in Laurel Canyon with his two dogs. He struggles to maintain any real connection with friends, colleague or family, outside of communicating with them over the phone or computer.

Không hài lòng với vũ khí của mình, tay súng huyền thoại Jigen Daisuke đến tìm thợ chế tạo súng giỏi nhất thế giới. Tại đây, anh gặp cô bé Oto và phát hiện ra những bí mật của cô. Khi Oto bị bắt cóc bởi một tổ chức bí mật, Jigen phải chạy đua với thời gian để giải cứu cô bé...

Maggie and her sister form an unusual bond during an encounter with a young man.

Realizing that she cannot take down Fisk alone, Sayen teams up with an underground resistance group with a plan to expose and end Fisk's unchecked plundering once and for all.

Set in the 1800s, the film is about a "dacoit" tribe who take charge in fight for their rights and independence against the British.

Set in the mid sixties and shot with more black than white, ‘SAD?’ is a dark ten minute film that explores the time that we spend alone watching television, and the good and sad effects it can have on you. The film has a timeless, forgotten feel about it, a study of a world and time detached from the norm, a life filled with both laughter and loneliness, escapism and escapees...

Quái vật cơ bắp Seok-do (Ma Dong Seok) dẫn đầu đội hình sự truy lùng đường dây buôn chất cấm của thiếu gia Joo Seong Cheol. Cuộc truy đuổi càng thêm gay cấn khi cú đấm công lý "chú Ma" chạm trán thanh kiếm lừng lẫy chốn giang hồ Nhật Bản.

Ở biên giới Hokkaido, cựu binh nọ và cô nàng Ainu chạy đua với những kẻ lạc loài và lính phản loạn để tìm kho báu theo bản đồ hình xăm trên người những kẻ ngoài vòng pháp luật.

After a governor issues an executive order to arrest the children of undocumented immigrants, the detained youth are offered an opportunity to have their charges dropped by volunteering to provide care to the elderly. Once inside the elder care facility, however, they discover more twisted secrets than they could have possibly imagined.

After an impulsive travel decision to visit friends, Freddie, 25, returns to South Korea for the first time, where she was born before being adopted and raised in France. Freddie suddenly finds herself embarking on an unexpected journey in a country she knows so little about, taking her life in new and unexpected directions.

Trong một thị trấn nhỏ ở Mississippi, công lý và luật pháp không phải lúc nào cũng đi đôi với nhau. Một bộ phim hình sự Noir phương Nam đưa người xem vào một thị trấn nơi mà rượu whiskey, súng, và mong muốn trả thù giao nhau một cách bạo lực. Câu chuyện tập trung vào một người phụ nữ và con gái nhỏ của cô, họ đang bị cuốn vào tâm điểm của cuộc xung đột. Hai linh hồn lạc lối, bị hành hạ bởi quá khứ đau thương, và ràng buộc bởi một bí mật khiến họ phải chạy trốn. Với sự tham gia của các diễn viên như Mel Gibson, Garret Hedlund, và Willa Fitzgerald, bộ phim này hứa hẹn sẽ mang đến cho khán giả những trải nghiệm đầy căng thẳng và bí ẩn.

Lu has a perfect life. Or so she pretends to have. She meets the handsome, short-tempered Argentinian, Diego, who is on a visit to Mexico, and she is confident to get him head over heels in love with her. In order to win a wager with her friends, her life will take a turn when she does the impossible to win him over, including taking a trip to Argentina to look for him.

F, an 18-year-old boy, immerses himself in the world of the Drag Queen where he begins to build his identity despite family and social mandates, which impose on him to be afraid and ashamed of being who he is.

A worn-out, aging shearer who once rained king of the high country, gets on the gear to keep up his numbers. But when the drugs take over he must learn what it really means to be a man, before he loses so much more than his country pride -- MAN.

A dystopian coming-of-age movie focused on three kids who find themselves in an abandoned amusement park, aiming to unite whoever remains. With dangers lurking around every corner, they will do whatever it takes to survive their hellish Neverland.

San Francisco filmmaker Konrad Steiner took 12 years to complete a montage cycle set to the late Leslie Scalapino’s most celebrated poem, way—a sprawling book-length odyssey of shardlike urban impressions, fraught with obliquely felt social and sexual tensions. Six stylistically distinctive films for each section of way, using sources ranging from Kodachrome footage of sun-kissed S.F. street scenes to internet clips of the Iraq war to a fragmented Fred Astaire dance number.

In a world where no one speaks, a devout female hunts down a young woman who has escaped her imprisonment. Recaptured by its ruthless leaders, Azrael is due to be sacrificed to pacify an ancient evil deep within the surrounding wilderness.

Dane ‘Marbles’ Marbeck can see ghosts, thanks to a homemade drug: his late father’s neurological medication mixed with marijuana. Officer Jayson Tagg, a wannabe super-cop on the trail of a serial killer, ends up murdered. So when Marbles’ mum plans to sell the family farm, and the only way of buying the house off her is taking the money offered by Tagg in exchange for his help, Marbles accepts. The unlikely duo of stoner medium and ghost cop struggle to reconcile their differences while they navigate their way through ghouls, perverts, a mysterious hooded figure, and an unexpected shot at love. It becomes clear the only way Marbles and Tagg will solve the case with their souls intact is to confront their deepest regrets and overcome their prejudices.