An inspiring look at how wonderful birth can be when your right to choose how, where and with whom you give birth is respected & protected. Every woman has the right to be informed about their options in childbirth. Through an exploration of home birth, this 87 min film looks at what natural, physiological childbirth really is. Is birth a medical emergency waiting to happen or a profound, natural and physiological event that women are designed for? The most comprehensive film ever made on home birth and a voice of reason in the debate, The Face of Birth outlines the importance of education in birthing and the right of a woman to choose the best and safest birth method for her and her baby.

Sixteen-year-old Lucia wants to get rid of two things more than anything: her lice & her virginity.

Abdurrahman, a senior student at the conservatory, grows curious about the meshk (one to one traditional art training) of Mawlid (a hymn on the Prophet Muhammed's Nativity) and starts searching in order to perform this form of music that relies on traditional training.

The magic of the dances of Mexico. A tour of Sinaloa, Michoacán, Zacatecas, Nayarit and Veracruz in one place.

The Baxters are a typical happy American family trying to live on too little money. Mrs. Polly Baxter acquires two mysterious trees that got into a nursery shipment by mistake. They turn out to be money trees. After initial problems, Polly decides to spend the money.

A young leader of the Yamazaki family of Nagasaki, Takida (Ken Takakura) is an A-bomb survivor. He fiercely battles violent elements in southern Japan like there is no tomorrow.

A remake of Aladin dengan Lampoe Wasiat (1941), which was remade again in 1980.

Akram is a perfectionist wedding photographer who dreams of finding Miss Right. He indeed finds her in the unlikeliest of places: her wedding ceremony.

The story of the film was adapted from a play of the same name written by well-known writer Girish Karnad. The movie was directed by award winning director T.S. Nagabharana, who is deemed to be one of the ace directors in Kannada film industry. Music was scored by C. Aswath and Srihari L. Khoday produced the movie. The film touches one of the most sensitive issues of marital life. In folk style and form, the film throws open a question as to who is the husband – the person who marries an innocent girl and indulges in self pleasures or the person who gives the real and complete experience of life. G.S.Bhaskar, and his work is a visual thunder in this movie. Especially the night scenes & interior scenes are spellbounded. Bhaskar is a famous technician; he used contrast lighting in this movie, that clearly gave the touch of folk life in every frame.

Superstitions are examined in the context of mid-20th century America. Walking under ladders, spilt salt, stepping on cracks, haunted houses, voodoo dolls, and such are used to illustrate the widespread belief in the supernatural.