Testimonies of seven prominent photographers active in the juncture of the student movement of 1968

The Jews of Jerusalem are driven out by their Syrian rulers. They gather their forces, and return to drive out their oppressors.

Một anh chàng cao bồi, vốn được coi là The Man with No Name, đi tới một thị trấn ở biên giới Mexico tên là San Miguel. Ở đây, anh bắt gặp một bầu không khí căng thẳng của những người dân thường trong thị trấn, lại bị một nhóm thanh niên nổ súng đe dọa và cười chế nhạo anh. Ông già chuyên bán quan tài thì nhìn anh để ước lượng số đo vì dự tính anh sẽ là khách hàng trong tương lai của mình. Bước vào một nhà trọ nhỏ, anh được ông chủ cho biết về tình trạng của thị trấn, vốn có 2 phe, vốn là 2 gia đình, hùng cứ và tranh chấp nhau. Đó là gia đình của an hem Rojo, gồm có Don Miguel (người anh cả), Esteban (người khỏe nhất) và Ramon (người giỏi nhất, thông minh nhất và hiểm ác nhất); gia đình kia là của cảnh sát trưởng thị trấn...

Bộ phim Nước Mỹ một thời với chủ đề hết sức đa dạng từ tình bạn, tình yêu, tình dục, lòng tham, sự phản bội, sự mất mát. Phim chia thành 3 giai đoạn trong lịch sử nước Mỹ: những năm đầu thập niên 20, khoảng năm 1933 và năm 1968. Nhân vật chính trong phim là Noodles một đứa trẻ đường phố ở New York chuyên đi móc túi, cướp giật. Noodles thầm yêu Deborah và thường nhìn trộm Deborah tập múa, Deborah vừa yêu vừa sợ Noodles nên chuyện tình khá thú vị. Tuy nhiên sau lệnh cấm rượu của nước Mỹ, băng nhóm của Noodles đã tham gia kinh doanh bất hợp pháp món hàng này và đụng độ với một băng nhóm khác dẫn đến cái chết của 1 thành viên. Bộ phim với nhiều cảnh bạo lực nhưng phản ánh vô cùng chân thực nước Mỹ thời kỳ này.

A fictionalised exploration of Beethoven's life in his final days working on his Ninth Symphony. It is 1824. Beethoven is racing to finish his new symphony. However, it has been years since his last success and he is plagued by deafness, loneliness and personal trauma. A copyist is urgently needed to help the composer. A fictional character is introduced in the form of a young conservatory student and aspiring composer named Anna Holtz. The mercurial Beethoven is skeptical that a woman might become involved in his masterpiece but slowly comes to trust in Anna's assistance and in the end becomes quite fond of her. By the time the piece is performed, her presence in his life is an absolute necessity. Her deep understanding of his work is such that she even corrects mistakes he has made, while her passionate personality opens a door into his private world.

A false accusation leads the philosopher Socrates to trial and condemnation in 4th century BC Athens.

Documentary footage (from the 1950s) and accompanying commentary to attempt to answer the existential question, Why are our lives characterized by discontent, anguish, and fear? The film is in two completely separate parts, and the directors of these respective sections, left-wing Pier Paolo Pasolini and conservative Giovanni Guareschi, offer the viewer contrasting analyses of and prescriptions for modern society. Part I, by Pasolini, is a denunciation of the offenses of Western culture, particularly those against colonized Africa. It is at the same time a chronicle of the liberation and independence of the former African colonies, portraying these peoples as the new protagonists of the world stage, holding up Marxism as their "salvation", and suggesting that their "innocent ferocity" will be the new religion of the era. Guareschi's part, by contrast, constitutes a defense of Western civilization and a word of hope, couched in traditional Christian terms, for man's future.

In the third film of the Lone Wolf and Cub series, Ogami Itto volunteers to be tortured by Yakuza to save a prostitute and is hired by their leader to kill an evil chamberlain.

A young bank teller, literally allergic to paper money, becomes the worst nightmare of his best customer, a wealthy butcher who manages his business unscrupulously.

The film explores the “acute suffering” and transcendent glory experienced by current and former members of King Crimson, allowing the audience an intimate and sometimes uncomfortable insight into the musicians’ experience as they confront life and death head on in the world’s most demanding rock band.

Claudio Scanna is a private in the Italian army: during his first night in a new military base he gets in a fight with senior recruits. Lieutenant Fili, Claudio's commanding officer, is denied a promotion because his superiors discover he was absent without justification during the night of the fight. Fili blames Claudio and vows to make his remaining months in the service a living hell...

Godzilla fan film.

After a film production wraps in Peru, an American wrangler decides to stay behind, witnessing how filmmaking affects the locals.

The stunning finale to the Hello Dracula series. After a series of adventures, a jealous classmate sabotages a ritual. This gives the black magician Jomoro the opportunity to return and seek his revenge against Grandpa and Tien Tien.

Campana, a commissar at the drugs bureau of Paris police gets an undercover job in Nice to catch an Italian-French mafia boss. As he slips into the identity of a gangster's brother, who was already killed, he has to play the role of a loving husband with child - something that is not so easy for a confirmed single like Campana. Unfortunately American killers chase behind the Nice mafia clan too, in order to get control of French drug trades to USA.

This is the (funny) story of four agents of Roma traffic police in the '50s. Their life are crossed in affairs that often retire from mere job relationships. 'Guardia scelta' (special agent) Giuseppe tries to be a composer, he wants to write the anthem for the roman traffic police. 'Guardia'(agent) Alberto Randolfi has a too strong inclination to fine everyone and is dreaming about learning French. 'Brigadiere' (sergeant) Pietro Spaziali is busy looking at his little son Tonino and daughter Maria who is going to marry a boxer. The 'Maresciallo' (Marshal) tries to manage and solve all the troubles they often do.

Kren's second film and the first he cut according to a strictly serial, sequence technique: in various frame sizes, the 48 portraits from the Szondi Test for "experimental diagnosis of human impulses" are shown in pre-specified lengths (between one and eight frames).

Mr. Roberts is a Navy officer who's yearning for battle but is stuck in the backwaters of World War II on a non-commissioned ship run by the bullying Captain Morton.