Ah Biao đóng vai một anh chàng nông thôn nhào lộn phải chạy trốn khỏi thị trấn sau khi làm bị thương một người giàu có trong xã hội trong một cuộc thi vô tội. Trong khi khám phá khu vực, anh tình cờ gặp một đội bóng đá phát hiện ra tài năng của anh.

A hitman is tasked to take out ex-mobsters when he suddenly hears a voice that questions his morality.

An animated road-movie set across the vast and barren landscape of Australia's Nullarbor Plain.

Valdis Nulle is a young and ambitious captain of fishing ship 'Dzintars'. He has his views on fishing methods but the sea makes its own rules. Kolkhoz authorities are forced to include dubious characters in his crew, for example, former captain Bauze and silent alcoholic Juhans. The young captain lacks experience in working with so many fishermen on board. Unexpectedly, pretty engineer Sabīne is ordered to test a new construction fishing net on Nulle's ship and 'production conflict' between her and the captain arises...

Third Jerry Cotton Adaption. A big shipment of Nitroglycerine, enough to make a shambles of New York, mysteriously vanishes! It's a race between agent Jerry Cotton and the underworld to see who can find the deadly explosive first. To complicate things further, the nitro must be found before a torrid heat wave causes it to blow much of the city sky high.

In our current world, where worth is often gauged by online popularity, an economy has developed for paying for followers and likes. Through access inside the “click-farms” of Bangladesh, Like explores the multi-million dollar industry that grows social media followings for celebrities and brands alike.

Hitch a ride into the dark heart of Australia with Soda_Jerk's TERROR NULLIUS, a blistering, badly behaved sample-based film that confronts the horror of our contemporary moment. Equal parts political satire, eco-horror and road movie, TERROR NULLIUS is a rogue remapping of national mythology, where a misogynistic remark is met with the sharp beak of a bird, feminist bike gangs rampage and bicentenary celebrations are ravaged by flesh-eating sheep. By intricately remixing fragments of Australia's pop culture and film legacy, TERROR NULLIUS interrogates the unstable entanglement of fiction that underpins this country's vexed sense of self.

Adela Peeva explores the national origin of a song common amongst a set of countries, and finds that the answer is not as simple as one might think.

In a pub in Madrid's downtown, a group of workmates meets to celebrate a birthday party. There, the singular characters share their opinions about education, maternity and other matters about life. In the middle of that, Lucía tries to behave normal, but in her head, there is only one thing: She may be pregnant and if it's confirmed, she would be forced to face one of the most difficult decisions: became a mother or not. A story about maternity, friendship, and identity.

An episode of the BBC drama series Second City Firsts. Jackie is leaving the army. While waiting for her car to arrive, she encounters Corporal Harvey, the woman who used to be her lover.

Michel, a retired math teacher, has lived alone since his wife’s death and occupies his time writing an essay about the beliefs that shape daily life. One day he comes across Dora, a young homeless woman, who shows up injured on his doorstep, and puts her up until she recovers. Her presence brings something new to Michel’s life, but gradually the apartment becomes the site of mysterious happenings.

An unknown girl breaks out of her daily grind by undergoing an intense audio-visual trip.

Explores Tolkien's classic fantasy/adventure novel The Hobbit and examines the story behind its conception.

Tension mounts between a quadraplegic man and his wife as she prepares a bath for him.

Pretty Bloody: The Women of Horror is a television documentary film that premiered on the Canadian cable network Space on February 25, 2009. The hour-long documentary examines the experiences, motivations and impact of the increasing number of women engaged in horror fiction, with producers Donna Davies and Kimberlee McTaggart of Canada's Sorcery Films interviewing actresses, film directors, writers, critics and academics. The documentary was filmed in Toronto, Canada; and in Los Angeles, California and New York City, New York in the US.