Several little boys run along a pier, then jump into the ocean.

Auguste Lumière directs four workers in the demolition of an old wall at the Lumière factory. One worker is pressing the wall inwards with a jackscrew, while another is pushing it with a pick. When the wall hits the ground, a cloud of white dust whirls up. Three workers continue the demolition of the wall with picks.

While his aide continuously turns the handle of the bellows, keeping hot a small furnace in front of him, a blacksmith is pounding a piece of metal on an anvil, then plunges the shaft into a tub of water, causing a cloud of vapor in the process.

Four men stand holding what appears to be a blanket, while one wearing a hat stands watching. A sixth man then runs towards them and attempts to jump into the blanket.

"Firemen in working uniform, rubber coats, helmets, and boots. Thrilling rescue from burning building. Smoke effects are fine." - from the Edison Catalog

It's late in the evening, and the ballet master's bed has been prepared for him. But he cannot take his mind off of his work, and instead of going to sleep he paces the floor and tries out dance steps. Finally, he goes to bed and falls asleep, but ballet dominates even his dreams. He sees two dancers who seem to come right into his room as they perform, and that's just the beginning.

Four men at work in a forge. The uses hammers and and anvil to beat metal.

Georges Méliès makes a woman disappear, then reappear.

Women wash clothes in a washhouse on the edge of a river.

While working near a psychiatric clinic, an electrician is struck by an accident at the very moment he sees a woman on the other side of a fence. Because of the electric shock, he ends up in the hospital, where he gets accustomed to the everyday life of the patients. In order to return to his previous life, he goes through the process of world creation, like a god.

Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.

Likely in June 1897, a group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at some distance, and eventually stops at the platform. Doors of the railway-cars open and attendants help passengers off and on. Popular legend has it that, when this film was shown, the first-night audience fled the café in terror, fearing being run over by the "approaching" train. This legend has since been identified as promotional embellishment, though there is evidence to suggest that people were astounded at the capabilities of the Lumières' cinématographe.

Miền đất dữ Slovakia vẫn luôn quyến rũ trong mắt các sinh viên Mỹ. Trên chuyến tàu hướng đến Đông Âu, Beth, Loa và Whitney không thể cưỡng lại sức hấp dẫn của những suối nước nóng thiên nhiên đẹp như tranh vẽ ở Slovakia từ lời kể của Axelle, cô bạn học xinh đẹp cùng lớp. Họ quyết định dừng chân thưởng ngoạn Slovakia rồi mới tiếp tục lên đường, và điểm dừng của họ là một… Hostel. Ngâm mình trong dòng nước ấm áp mờ mờ hơi sương giữa một khung cảnh thần tiên thơ mộng, gặp gỡ những chàng trai mạnh mẽ và quyến rũ. Các thiếu nữ lâng lâng như trên mây, Thiên Đàng chính là nơi đây. Chỉ có Beth luôn cảm thấy bất an, một nỗi sợ hãi cứ len lõi trong tâm hồn nàng giữa vùng đất Slovakia xa lạ.

When the gang goes on safari, they encounter a variety of freaky, glowing demon animals.

Cố duy trì sự sống, kẻ giết người tâm thần Jigsaw lệnh cho học trò cưng mới của mình, Amanda, bắt cóc một bác sĩ trong phần ba của loạt phim kinh dị này.

A head injury causes a woman to develop an extraordinary amount of confidence and believe she's drop dead gorgeous.

As the Clone Wars sweep through the galaxy, the heroic Jedi Knights struggle to maintain order and restore peace. More and more systems are falling prey to the forces of the dark side as the Galactic Republic slips further and further under the sway of the Separatists and their never-ending droid army. Anakin Skywalker and his Padawan learner Ahsoka Tano find themselves on a mission with far-reaching consequences, one that brings them face-to-face with crime lord Jabba the Hutt. But Count Dooku and his sinister agents, including the nefarious Asajj Ventress, will stop at nothing to ensure that Anakin and Ahsoka fail at their quest. Meanwhile, on the front lines of the Clone Wars, Obi-Wan Kenobi and Master Yoda lead the massive clone army in a valiant effort to resist the forces of the dark side...

The Babadook được truyền cảm hứng từ những bộ phim kinh dị điển hình của thập niên 30 thế kỷ 20, nữ đạo diễn Jennifer Kent đã tài tình sử dụng một ngân sách hết sức hạn chế để tạo nên một câu chuyện đầy ám ảnh trong một tông màu ảm đạm u tối. Nhân vật chính của phim Sách Ma là bà mẹ đơn thân Amelia, vài năm sau cái chết đột ngột của người chồng, cô gặp rắc rối trong việc nuôi dạy đứa con trai 6 tuổi Sam khi cậu bé liên tục kể về một sinh vật bí ẩn đeo bám cả hai mẹ con. Rồi một ngày trong nhà họ xuất hiện một cuốn sách mang tựa đề “Mr. Babadook” kể về một sinh vật kinh hoàng như thể ông kẹ. Khi Amelia đọc cho Sam nghe cuốn sách đó vào mỗi tối, thì dường như Babadook cũng đang dần dần bước ra từ những trang sách và mối đe dọa từ nó cũng trở thành sự thật mà hai mẹ con cô phải đối mặt. Và đó cũng là lúc những bí mật khủng khiếp trong quá khứ của gia đình Amelia bắt đầu được hé lộ.

Tommy Jarvis, tormented by the fear that maybe Jason isn't really dead, unwittingly resurrects the mass murderer for another bloody rampage.