Composed of 6 unconventional short stories, each one dealing with the late communist period in Romania, a narrative is told through its urban myths from the perspective of ordinary people. The title refers to the alluded "Golden Age" of the last 15 years of Ceauşescu's regime.

The story of two radically different men thrown together in a Latin American prison cell. One is Valentin, a journalist being tortured for his political beliefs. The other is Molina, a gay window-dresser who fills their lonely nights by spinning romantic fantasies drawn from memories of old movies.

In 1975, the long slog of civil war has recently begun in Beirut. Two friends, Tarek and Omar, suffer during the Lebanese civil war. Conflicts arise when they decide to cross from West to East, crossing the Muslim-Christian line that divides Beirut.

A dramedy about relationships and fidelity, or the lack thereof. A group of old high school friends, now in their late thirties, get together for the weekend to celebrate the 4th of July, for better or for worse.

A radio-show assistant meets a budding screenwriter during a group-therapy session for sex addicts.

In pre-WWII Holland, the penniless, illegitimate son of a powerful bailiff sets out to become a lawyer as he spends a lifetime struggling to prove his worth to his relentlessly spiteful father.

"Occident" is a bitter comedy about the people who want to emigrate from Romania, and about those who stay behind. The movie has a rich, interesting structure: there are three different stories - a weeklong in the film - that cross, interconnect and happen in the same period. The characters influence each others lives, sometimes even without knowing. Main characters from one story become secondary characters in another story. At the same time, scenes from the first part of the movie bring unexpected facts when seen the second or the third time. The stories do not have just one ending: the first story ends in each of the third parts in a different point, suggesting radically different solutions for the characters. The way in which the director fits time and links events together often produces thematically unexpected results.

"The Most Dangerous Man in America" is the story of what happens when a former Pentagon insider, armed only with his conscience, steadfast determination, and a file cabinet full of classified documents, decides to challenge an "imperial" presidency – answerable to neither Congress, the press, nor the people – in order to help end the Vietnam War.

An outspoken boy and a gunfighter-pimp save a drifter's life from hanging. The boy's uncle dies, leaving a house and some dry, useless land to the boy. The dying uncle has obtained the drifter's promise to help the boy get what is his. Meanwhile the gunfighter has decided that the drifter should marry his daughter after being with her previously. The two get into a series of brawls and shoot-outs until they arrive in the town and find the boy's inheritance -which turns out not to be as useless as it first appears.

Adi (40), a shy and introverted anthropologist who got recently dumped by his girlfriend, moves to Ferentari, most notorious outcasted neighborhood in Bucharest. He wants to write a study on manele music. The pop music of the Roma community serves as a way out for some, but mostly as one more means for the mafia pimps to make money off their acts and keep them in slave-like dependency. While researching his subject, Adi meets Alberto, a Roma ex-convict and a bear of a man, who promises Adi to help him. Soon, the unlikely pair begins a playful romance in which Adi feeds Alberto with improbable plans of escaping poverty and Alberto reciprocates with well-concocted phrases of love. Little by little their casual affair grows into love. And the funny and sweet teasing turns into something precarious, since Alberto is both dangerous and fragile and belongs to a world whose codes Adi doesn't understand.

“My Uncle” tells the story of a man who realizes his passion for flying one day and descends into the desert 42 years later, through his nephew’s mouth.

Goof and Hugo are flatmates in Amsterdam who have made a tidy sum from having sex with tourists, then robbing them. Their goal is to spend the money together on a world trip and their scam is going well until they meet Lara, originally from Siberia, whom Goof becomes besotted with.

A dialogue free Romanian science-fiction spy-comedy that draws upon farce, satire and surrealism as it subversively deconstructs the spy thriller with the protagonist's accidental discovery of a nuclear suitcase bomb and the subsequent fight over ownership between the rival powers of the criminals and the military.

Abby, a 20-something Brooklynite, prepares to throw an intimate dinner party, a meticulously planned evening that takes an unexpected turn when the guest of honor shows up and raw emotions rise to the surface.

A visit to the photographer's returns the physical looks of a 70-year-old grandmother back to her 20s. Things get even stranger when his grandson asks her to join his band, and his best friend begins to fall for her.

Mladen and Marija are an ordinary and happy married couple of the "middle class" of the society in which they live as tenants. Mladen works as a civil engineer in a state company, and Marija is an English teacher in primary school. The couple finds joy in their only son, Nemanja. They discover that Nemanja has a rare heart disease and healing is possible with an operation in a foreign medical center, which costs €26,000.

It's the 22nd of December. Sixteen years have passed since the revolution, and in a small town Christmas is about to come. Piscoci, an old retired man is preparing for another Christmas alone. Manescu, the history teacher, tries to keep up with his debts. Jderescu, the owner of a local television post, seems not to be so interested in the upcoming holidays. For him, the time to face history has come. Along with Manescu and Piscoci, he is trying to answer for himself a question which for 16 years has not had an answer: "Was it or wasn't it a revolution in their town?"

Kuba attends an art opening with his girlfriend of two years and bumps into Mikal. The connection between these two young men is instantaneous and intoxicating, and despite opposition from all sides, he allows Mikal into his life. The results go beyond anything he could have imagined. This intimate and bold second feature from Polish director Tomasz Wasilewski captures the often-complicated consequences of finding love where others do not want it.