In answer to an orphan boy's prayers, the divine Lord Krishna comes to Earth, befriends the boy, and helps him find a loving family.

If hugs are tangible why am I hugging the void

Returning wounded from the war Maksym was overcome by self-doubt, in his physiological state. He is undergoing rehabilitation. He loses contact with his wife. He is tormented by dreams. In one of his dreams Maksym goes to the island to catch a lot of fish, as the paramedic advised him. Maksym takes a boat, net, dynamite from the best man and sails to the island.

Russia has a surfeit of overqualified graduates. Nastya Sokolova is one of them. Her career, if you can call it that, gave her a plethora of unexpected work experiences: from desk slave in banking to head bookkeeper of an illegal brothel. The film’s eight tableaus detail the various workplaces, colleagues and situations. To finish it off: deadpan commentary.

A documentary about unemployed people who bought fruit and vegetables at moderate prices at the wholesale market and sold these in the streets of Frankfurt. Since they had no permits they were constantly with their bulky carts on the run from the police. One part of the film was shot at the fairgrounds in front of the wholesale market. Newspaper and lottery ticket vendors, propagandists offering their ware for a few pfennigs, all convey the mood of a time when need made people inventive.

Những tưởng sau buổi lễ ly hôn chính thức với sự góp mặt của toàn thể người quen và bạn bè, Hyun-woo (Kwon Sang-woo) và Sun-young (Lee Jung-hyun) sẽ chính thức đường ai nấy đi với cuộc sống riêng của mỗi người. Ấy vậy mà chưa kịp tận hưởng đời độc thân được bao lâu, cuộc sống của Hyun-woo một lần nữa bị đảo lộn khi vợ cũ bất ngờ xuất hiện trở lại cùng người đàn ông đang theo đuổi cô Sang-cheol (Lee Jong-hyuk). Oái oăm thay, Sang-cheol là bạn từ thời trung học của Hyun-woo, và anh cũng không hề biết gì về mối quan hệ nhiều duyên nợ giữa Hyun-woo và Sun-young. Câu chuyện dở khóc dở cười giữa ba người rốt cuộc sẽ kết thúc trong tình yêu hay thù hận?

Three friends are arrested after committing an accident with their car. After finishing their sentence, they become partners with the owner of a decoration workshop. But he deceives them and spends the money in gambling. They force him to sign a waiver of his workshop but he wants to get it back.

This film is the record of a traumatic reaction to the terrorist acts in the Moscow subway of March 29, 2010.

Groot discovers a miniature civilization that believes the seemingly enormous tree toddler is the hero they’ve been waiting for.

Over the course of her stay at the remote residence, Ana becomes more and more familiar with Holden’s idiosyncratic methods that require the participating artists to abandon their own identities and live emotionally and psychologically as their characters. Captivated by her artistic investigation, Ana immerses herself wholly into the method and starts living as Violeta, until her fiction loses control.

Jake is a self-professed 'artist and filmmaker' who can't quite keep life together in the face of other people's success. However his life changes when small-time thief Jojo breaks into his car and steals his briefcase containing a book on screen-writing and Jake's filofax of 'contacts'. Jojo's new script ensures he quickly becomes the talk of the town.

A mother and son find themselves faced with a brutal alien invasion where survival will depend on discovering the unthinkable truth about the enemy.

School is over for the day. A stationary camera is trained on the door of the high school at the top of a few stairs. A man and small boy emerge, followed by wave after wave of boys, each in jacket and tie, most wearing caps. A few are arm in arm. At least 150 boys and young men appear. Then about 120 women and girls appear, parting to go in either direction down the sidewalk in front of the school. All are in long skirts and wear big hats; most wear blouses and jackets or coats. Some are adults; most seem older than the boys who've left just ahead of them. The last person to leave is a gentleman.

Rajaraja Cholan is a 1973 Tamil film about the life of the Chola king Rajaraja Chola.

For Yogi, assaults have become a daily routine, so much so that the sight of his latest victim, a heavily injured woman slumped in her car, leaves him untouched. But then he spots her baby on the back seat. Without a second thought, Yogi takes the completely defenseless creature along in a basket. Not even a machine gun pointed at his forehead could have had a stronger impact on his life; he feels threatened and seduced at the same time.

In a badly-overpopulated future, where each couple is only allowed one child and where people over 65 are forbidden medical care under a very draconian set of laws, a young couple, pregnant with their second child (the first died shortly after birth) enlist the help of an elderly former US Senator to help them escape to Canada.

Two teenagers are playing by night in a dirty parking lot. After they are driving on an empty road, they start to tease each other on the way to the sea, but they seem to be too young to drive and the road is a bit strange.