A dacoit named Lakhan Pal kidnaps a girl called Chandrika. He tries to rape her along with his gang members. Chandrika bites Lakhan's hand and applies his blood on her forehead making him her husband so that he protects her. They have a son Sunil. When his gang is attacked Lakhan escapes with his family to his wife's father's place. He gives up being a criminal but years later it still affects Sunil.

Four twenty-something women, crammed into a small Manhattan apartment, have dead end jobs (or no job) and overdue rent. They discover cash and self esteem when they set up an illegal bookie joint in their kitchen. Suddenly they can pay their bills; they imagine joining the middle class; they even make corporate donations to charity. The film also explores their relationships with men, most of whom are unfit for anything lasting, and with their mothers, who appear in surreal, imagined conversations with their daughters.

written and directed by JOSEPH CAHILL

Tragedy doesn’t come any more Dickensian in tone or Shakespearian in scope than this dark social drama of the disintegration of a little family of four. A series of small debts triggers the swift domino effect that unleashes chaos on a well-meaning working class dad who has the bad judgment to speak truth to power.

LOOKING LIKE MY MOTHER is a film about family relationships and personal destiny, about realizing one's own potential and one's limitations. It traces the individual experience, showing the emptiness one can feel as well as the discovery of a sense of meaning in life. It is a very personal and courageous film that doesn’t search for scientific explanations but instead uses documentary and fictional material to weave an intimate biography. This combination of perception and memory suggests a deep reconciliation and allows tender feelings of a mother’s love to emerge.

Year 2006: Bebek, Alen, and Tifa come together to pay tribute to their old band, one and only - Bijelo Dugme (White Button). They performed in Toronto, Atlanta, Chicago, and New York City, in front of thousands.

Huo Yuanjia, hunted by the Qing soldiers, must master a new set of fist techniques to defeat them.

An ordinary man takes revenge only to find it's made him the target of a major crime lord and his army of psychopaths and professional killers.

Presumably inspired by Pete Walker's 4 Dimensions of Greta this is another 1970s sex comedy filmed in 3D. Walter Boos however went all the way - we do not have just the odd 3D boob scene, the whole film is made in 3D. The viewer is constantly reminded of that, because the cinematography is truly bizarre with plenty of scenes of rather peculiar camera angles that strongly emphasize the 3D effects, e.g. a girl on a swing moving towards (and above) the camera, twigs hitting a car window, and many many more. The exaggeration of 3D makes these scenes quite funny, as the effects are completely over the top.

Chilly Willy goes deep sea fishing coming up with an old shoe which he proceeds to cook.

Hyun, a best-selling writer, has found himself in a slump for a long time. In the meantime, he accidentally meets Yu-jin, an aspiring young writer. Hyun gets confused when Yu-jin confesses his love to Hyun. A 19-year-old student and Hyun’s son, Sung-kyung, who is skeptical about his life, meets Jung-won, a young married woman living next door. Sung-kyung has a good feeling for this freewheeling woman. A pure-hearted man, Soon-mo, who is Hyun’s best friend and also the publisher, meets his friend’s ex-wife.

An attractive Countess arrives in a village in the Veneto, which revolutionized the entire population. In fact, she has a very precise plan: to conquer an old rancher who has inherited a village after the death of his mother and keep all their assets using its many charms.

Yeon-shil is the lover of crime boss Dong-il. She pays off one of the boss's henchmen, Man-ho, with whom she once had an affair; Man-ho is an opium addict, and he has been blackmailing Yeon-shil by threatening to disclose their past relations.

Ruth, 17 years old and in love, needs money to make her post-graduation get away with Julie. Carol, 14 and in love with math, needs money to get into the school of her dreams. Unfortunately, they both have the same problem—neither girl has any cash. When Carol discovers their mother’s secret cash stash, both girls are set on a trajectory of stealing and leaving the other behind. Only one girl can go, and only one person can stop them—their mother.

In 1916, a group of prisoners plot their escape from the notorious fortress located in French Guiana.